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Out of My League
(Unabridged)
The baseball classic that Ernest Hemingway called "beautifully observed and incredibly conceived," now recorded and including a foreword from Jane Leavy. The first of Plimpton's remarkable forays into participatory journalism, ...
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The baseball classic that Ernest Hemingway called "beautifully observed and incredibly conceived," now recorded and including a foreword from Jane Leavy.

The first of Plimpton's remarkable forays into participatory journalism, OUT OF MY LEAGUE chronicles with wit, charm, and grace what happens when a self-professed amateur has the chance to answer every fan's question: could he strike out a major league star?

Plimpton's inspired idea--to get on the mound and pitch a few innings to the All-Stars of the American and National Leagues--begins as a fun-filled stunt and comes to a deeply hellish, nearly humiliating end. This honest and hilarious tale features Mickey Mantle, Willie Mays, Whitey Ford, Ralph Houk, and other baseball greats and is "a baseball book such as no one else ever wrote, and one of the best ever." --New York Herald Tribune

Audiobook Details:

"Beautifully observed and incredibly conceived, this account of a self-imposed ordeal has the chilling quality of a true nightmare. It is the dark side of the moon of Walter Mitty."—Ernest Hemingway
"A baseball book such as no one else ever wrote, and one of the best ever."—New York Herald Tribune
"A delight--more entertaining, if possible, than I remembered... the reader leaves George Plimpton's wide world of sports with deep reluctance.... His prose is as elegant and seemingly effortless as Ted Williams's swing or an Arnold Palmer iron shot.... His teammates recede--like the old baseball players vanishing into the cornfield in Field of Dreams, taking their magical world with them but living on in fond memory."—Edward Kosner, Wall Street Journal
"Out of My League copes with the problem of the imaginary nightmare of walking every batter and the glittering triumph (the shutout) of striking them out, one after the other."—Marianne Moore
"It's all there: the humor, the classical allusions and the verisimilitude that makes you feel that you were not only there to see it but suffered through it with George."—Allen Barra, Dallas Morning News

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